opens as very stylized (and surprisingly funny) royal palace intrigue, complete with multiple layers of scheming, betrayal and decoys before transitioning into full-tilt bloody wuxia.

The king, violent and ambitious, of mysterious methods and motives; his general, a visionary who yearns to win the final battle but needs to prepare his plans in secret; the women of the palace, who struggle to find redemption in a world where they have no place; and a commoner called "Lord of all the world", will be the characters around who turn the inexorable forces of this story.

Il suo grande generale è un visionario mosso dall'unico desiderio di vincere la battaglia finale, ma costretto a tessere i suoi piani in segreto. L'invio non è andato a buon fine.

The story takes too many unearned turns. Scrivi un commento Behind the scenes, a decaying mastermind sets the stage to retake the city and to position himself for vengeance. Now his control over his dominion is complete, including the royal family itself. Beautifully shot in black and white (with colour mixed in at appropriate times) it's the landscapes, set design, costume, fight scenes and use of rain that leaves me in awe.

A romantic police captain breaks a beautiful member of a rebel group out of prison to help her rejoin her fellows, but things are not what they seem. the black and white colors were consistently stunning and i love the beyblade umbrellas. Dall'assoluta eleganza formale, un film che vede riesplodere la passione del regista per il wuxia. In a kingdom ruled by a young and unpredictable king, the military commander has a secret weapon: a shadow, a look-alike who can fool both his enemies and the King himself. With Revell Carpenter, Nicholas Goodwin, Kumasi Hopkins, Samantha Morias. Vincitore come miglior regista del Cavallo d’Oro di Taiwan e numerosi premi al Asian Film Award, tra i quali costumi e fotografia, Zhang Yimou ritorna sul grande schermo dopo il blockbuster con Matt Demon, The Great Wall, del 2016, fautore di numerosi successi come Ju Dou (1990), La Foresta dei Pugnali Volanti (2004) e la Città Proibita (2007), con un film che omaggia nuovamente il genere [...] total bangerShadow is a Chinese period film directed by Zhang Yimou (Hero, The Great Wall) from 2018 and stars Deng Chao, Sun Li and Zheng Kai to name a few in a story of the battle to control the city of Jingzhou.Theres no denying the films strength is in its visuals. Ti abbiamo appena inviato una email. opens, we are thrown in what seems like the middle of a story line. I wish I could more about the story but honestly I barely remember it.good samurai movie with realistic characters but that blade fling, as cool as it was, was a little absurd. Amazing choreography. Was this review helpful to you? Directed by Yimou Zhang. In Johannesburg, tough ex-cop Shadow pursues justice on his own terms and seeks to help those who are powerless to protect themselves. CONSIGLIATO SÌ They're simply the best, except for when they are just very good like Shadow, a film I really liked. Shadow 2018 TV-14 1h 55m Period Pieces As three kingdoms struggle for control of a walled city, a figure with a rare power spins a web of intrigue that entangles a king's court. Definitely worth seeing.Every supremely controlled stylistic element of Zhang Yimou's breathtakingly beautiful "Shadow" is an echo of another, a motif repeated, a pattern recurring in a fractionally different way each time.Zhang Yimou's Shadow is like a Chinese ink painting masterfully come to life.A visually ravishing tale of intrigue and deception that stands proudly alongside [Zhang's] past triumphs Hero and House of Flying Daggers.With action scenes choreographed with Zhang's typical verve and imagination - you'll never again think of your umbrella as just a tool for keeping the rain off - fans of this artistic end of the 'wu xia' genre ought to be delighted.This is probably the most stunningly beautiful Zhang has made to date.Every supremely controlled stylistic element of Zhang Yimou's breathtakingly beautiful "Shadow" is an echo of another, a motif repeated, a pattern recurring in a fractionally different way each time.Zhang Yimou's Shadow is like a Chinese ink painting masterfully come to life.A visually ravishing tale of intrigue and deception that stands proudly alongside [Zhang's] past triumphs Hero and House of Flying Daggers.With action scenes choreographed with Zhang's typical verve and imagination - you'll never again think of your umbrella as just a tool for keeping the rain off - fans of this artistic end of the 'wu xia' genre ought to be delighted.This is probably the most stunningly beautiful Zhang has made to date.Such a twisty turny movie, with some awesome combat scenes.

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