Are her stories fanning her suspicions, or is this what total blindness looks like? Joanne is smart, fearless, and media-savvy.

a list of 14 titles a list of 14 titles 17 out of 33 found this helpful. Maria Enders (Juliette Binoche) is an actress at the peak of her international career who is asked to perform in a revival of the play that made her famous twenty years earlier. Avoid it.

54 out of 70 found this helpful.

Paris is currently the epicenter for world cinema and with reason. Now with the expert and engaging Clouds of Sils Maria we witness a middle-aged actress, Maria (Juliette Binoche), contend with both her 20-year return to the same play but as the older character and the energy of a personal assistant, Valentine (Kristen Stewart), that reminds Maria of time's passage and the changes in her profession. Oscars invite 819 new members in 2020: Complete list by branch (and 2014-2019 totals too) 01 July 2020; Gold Derby; This year, the motion picture academy achieved its five-year goal of doubling the number of women among its membership.

A biographical short about French fashion designer Gabrielle "Coco" Chanel. Juliette Binoche is amazing, as always. In that context, the two drink, smoke, "eff" a lot, and generally look and act more like men than women.

A waste of my time and money all around. Kristen becoming one of the most important actresses of the world... Definitely a must-see for art-house fans. The main problem is the intellectually wanna-be-smart story, filled with weak parallels between fiction and reality, emotions shown and hidden, reality and game.

In yet another year of middling roles for women, Sils Maria is a dream come true. Movies. In contrast, Debord's refreshing anarchist views were typical for the radicality of the 1968-generation and were more about individual freedom, artistic aspirations and fighting against a new form of determinism: consumption. Further tensions arise as the older protagonist is manipulated by the younger one in the play with Binoche wondering how close she may be to the older character.

Ambiguity is the key world of this film. a list of 10 titles

It is a bit harder to unlock than more mainstream movies, but it provides a hugely satisfying and intriguing discussion when it comes to the end. 7 out of 9 found this helpful. Clouds of Sils Maria is a beautiful film with some very good acting, especially by Stewart. 32 out of 65 found this helpful.

Clouds of Sils Maria (known simply as Sils Maria in some territories) is a 2014 drama film written and directed by Olivier Assayas, and starring Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz.The film is a French-German-Swiss co-production.

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At their first meeting she flatters Maria and claims to be an admirer, but may simply be feigning respect. The story plays out on three levels. It also raises interesting questions about contemporary stardom and transience. 66 out of 87 found this helpful.

A film about directing, theater, film business and art. Christopher Giles Angela Winkler.

Full Cast & Crew: Clouds of Sils Maria (2014) Cast (28) Juliette Binoche. A film star comes face-to-face with an uncomfortable reflection of herself while starring in a revival of the play that launched her career.

Joanne Ellis (Chloë Grace Moretz), an up-and-coming actress with the reputation of a troublemaker, is Maria's co-star in the theater play.

Directed by Olivier Assayas.

She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life.

17 out of 24 found this helpful.

At its best, the film blurs reality as Binoche and her personal assistant practise with it often ambiguous whether the pair are really fighting or simply rehearsing. The film depicts an ambivalent relationship between the self-declared heterosexual protagonist and her young female personal assistant, as they rehearse the lines from the stage play, which is about a lesbian relationship between two women. The film is really all about Juliette Binoche's character and her struggle to come to terms with becoming older and with being cast in a threatre play as the elder part of a lesbian couple whereas 20 years ago she was cast as the younger lesbian woman in the same play. I would have rated it a 9 to the Writer-Director Olivier Assayas but reduced it to a 8 because I was disappointed in Juliette Binoche's performance.

There are also some memorable bits as the pair discuss whether science fiction dramas can have merit and the notion that "thinking about a text is different to living it", but these sparks unfortunately fizzle out before the film is over. Former film critic Olivier Assayas is probably one of those few people who inspire me on a creative level.

Masterfully directed by Olivier Assayas, the film centers on an aging actress preparing to play the older, more pitiful female role in a revival of a stageplay that made her famous years ago when she played the younger, sexier role. This is a documentary about a passionate collector. All obvious demons, but none of them explored enough to allow her to emote and make me care about her. You are the major actor in the sense that your interpretation makes the film. Fascinating as all this might sound, the film is nevertheless hard to get through at times with the plot not really taking off until 40 minutes in when Binoche views online clips of her bratty co-star to-be and tries to rehearse knowing what her co-star is like. This movie is a whole lot of nothing. Actress in Sci-fi …

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Each scene is so ambiguous that you can always interpret it in various manners so in the end _you_ are the director. Generational differences extrude into every aspect of Maria's world - physical and psychological boundaries become blurred and the fictional script blends into reality, past memories and present relationships.

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